I saw a film yesterday. It starred actors, was presumably filmed using a recording device of some description, and consisted of scenes which were acted out and arranged in sequential order. The name of the film was Fateful Findings, and I was changed by it. Even now, in the relative safety and repose of my room, and enjoying the old familiar comfort of my writing desk, I find myself struggling for the words to describe this…experience. I feel uncommonly labored as I write this, as if I have to dredge each individual word from a stinking, fetid pit of tar, and, even then, they seem unfitting for the task at hand. Where should I start? It’s a tricky question, because one does not simply appraise a film like Fateful Findings based on artistic merit or technical execution. Rather, I think the degree to which the film makes one lose their grasp on reality is a more meaningful method of evaluation. That said, I suppose I should start at the beginning.
Of the myriad types of movies that can be made about Wall Street, it seems like you can either go the Wolf of Wall Street route—bright, energetic, lots of swearing—or you can go the Margin Call route—darkly serious, brooding, lots of swearing—although, interestingly, it seems like Adam McKay’s latest feature, The Big Short, melds the two approaches—with surprisingly positive results.
This week on High and Low, we cover the filmography of one of the UK’s greatest and most exciting directors, Danny Boyle.
Thoughts or opinions about the podcast? Want to share your favorite/ least favorite Danny Boyle films with us? Perhaps recommend a director for the next podcast? Feel free to comment, follow us on twitter at Simply_Film, or emails us at email@example.com!
With The Martian
, director Ridley Scott has finally found a story worthy of his filmmaking talent. Matt Damon stars as Mark Watney, Mars’s most optimistic botanist, who is abandoned on the planet by his fellow astronauts, believing him dead. Isolated, wounded, rapidly depleting his supplies, and unable to contact Earth, Watney is faced with an impossible task: he has to MacGyver together a plan for survival on a planet with no food or oxygen–all in a way that doesn’t feel hopelessly contrived. And boy, does he rise to the occasion! Damon’s superb performance and Scott’s expert handling of the subject material make The Martian
not just one of the best films of 2015, but the most fun movie-going experience I’ve had all year.
This week on High and Low, we cover the filmography of one of the most talked about and beloved directors of the last 20 years, Paul Thomas Anderson.
Thoughts or opinions about the podcast? Want to share your favorite/ least favorite Paul Thomas Anderson films with us? Feel free to comment, follow us on twitter at Simply_Film, or emails us at firstname.lastname@example.org!
After last year’s Oscar season, I was so sick of biopics I wanted to puke. But for every Unbroken
, and American Sniper
, there’s a film like Frida
waiting just around the corner, or in this case, just around the Netflix instant streaming side-scrolling thing. Frida
—as in Frida Kahlo—manages to hit that biographical sweet spot by being both surprisingly informative and hugely entertaining in its own right.