Andrew’s Top Ten Movies of 2013

While at times I did feel like this was a weak year for movies, I found it surprisingly difficult to put this top ten list together, simply because there were so many films I wanted to include. After giving it some thought I was finally able to whittle my list down to ten, but for those of you interested in the movies that didn’t quite make the cut, here are the honorable mentions in no particular order: Stoker, Saving Mr. Banks, Mud, The Bling Ring, Captain Phillips, Kings of Summer, Blue is the Warmest Color and Nebraska.

10. The Wolverine

While this may seem like a somewhat weird way to start off the list, I actually enjoyed this movie immensely. For me, it satisfied everything I was looking for in a nice self-contained action/superhero movie. The Japanese setting actually added a lot of character to the movie, and the film still showed some restraint in not completely drowning the movie in typical Japanese action film clichés. While the climax is, admittedly, somewhat problematic, it was still satisfied with the film as a whole.

9. Much Ado About Nothing

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While this movie does suffer from being a bit too cutesy at times, but I can pretty safely say it is one of, if not the best Shakespeare film ever made. Joss Whedon’s sense of humor matches perfectly with the play, and he is able to make a Shakespeare movie which doesn’t feel forced or clichéd, and is genuinely funny, something that has been tried and failed more than a few times. It is easy to blow this film off as cute and inconsequential, which it is, but it has more than enough charm to earn a spot on the list.

8. Blackfish

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It is rare that I am blown away by a documentary, but I have to give credit to Blackfish for doing just that. While there has been some controversy surrounding this movie, as it clearly takes aim at the beloved and well established company Sea World in a way that does seem very biased, I think the evidence in the movie speaks for itself. More than a film about the mistreatment of Killer Whales kept in captivity, Blackfish is an interesting look at the danger these animals present to their trainers, and the extremely preventable deaths and injuries caused by the animals that until now have been ignored by the public. It is powerful, and sometimes hard to watch, but is a documentary I feel like everyone should see.

7. Rush

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The only reason this movie didn’t end up higher on my list is that nothing about it was particularly unique or interesting. However, giving credit where credit is due, Rush is still a fantastic film.  It captures an intimate conflict between two larger than life figures risking their lives to claim superiority in a way that felt genuine and believable. Rush is an airtight movie, expertly handling climactic beats throughout the film and ending up as perhaps one of the most well rounded films of the year.

6. The Way Way Back

I am usually not one for feel good movies, but I have to say I was quite taken with The Way Way Back. It has a great cast and is a genuinely sweet and funny coming of age story. It is nice to see Steve Carell out of his comfort zone, playing the antagonistic boyfriend of the protagonist’s mother; however the real stand out for me was Sam Rockwell who once again proves he is a force to be reckoned with as a top comedic actor. Written and directed by Nat Faxon and Jim Rash, the Oscar winning duo behind the script for The Descendants, this film was definitely a stand out in a year saturated with coming of age films.

5. American Hustle

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While in a lot of ways I felt like this should be my number one movie this year, there were a few glaring details that kept it lower. The way the film was put together felt awkward in a few places, and some of the scenes in the movie just didn’t seem to work well within the film as a whole, not to mention the ending which I thought was a little weak and very rushed. That being said, the performances in this movie are easily some of the best of the year. With an actor nominated in each of the four major acting categories for the Golden Globes, and likely for the Oscars when those nominations are released, American Hustle definitely has a lot to bring to the table. It’s stylish and fun, but it’s the characters and their relationships that really solidify this movie as one of the best of the year.

4. Wolf of Wall Street

THE WOLF OF WALL STREET

A manic story of riches, corporate corruption, and missed chances for redemption, Wolf of Wall Street manages to be far from the typical cautionary tale about wealth. It is raunchy, perverse, even sickening at times, but boy is it a fun movie to watch. Leonardo DiCaprio is fantastic as Jordan Belfort, a man on a drug fueled rampage up the corporate Wall Street ladder. The film has a great sense of humor, and is one of the best “truth is stranger than fiction” movies I have seen in a long time. It’s an unbelievable story, and even manages to keep the viewer engaged throughout the monstrous 3 hour run time.

3. 12 Years a Slave

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My bet for Best Picture this year, 12 Years a Slave is nothing short of an incredible movie. What really makes this movie stand out is that it’s not just the movie about the horrors of slavery that seems to get made every few years, but also an incredible character driven story. All of the acting in the film is fantastic, the conflict between Michael Fassbender and Chiwetel Ejiofer was extremely tense, and every single character in the film was well fleshed out and distinct, which is a nice change from the typical flat slave owner characters in similar movies. Expertly directed by Steve McQueen, I look forward to seeing his work in the future now that he is gaining mainstream recognition and success.

2. Place Beyond the Pines

The Place Beyond the Pines Ryan Gosling

I knew this movie would end up high on my top ten list immediately after I walked out of the theater. Place Beyond the Pine comes in a close second for my favorite films this year, as I loved nearly everything about this movie. The setting, powerful performances and distinct three part narrative gives a profound amount of weight and importance to an intimate tale about family, father-son relationships, and consequences. The movie shifts effortlessly between protagonists and still manages to make the viewer care about all of them, as the film almost feels like three shorter films tied together by themes and shared characters. The third act of this film received some criticism as it is a bit bizarre, but I thought it fit perfectly and Dane DeHaan’s performance is in many ways what made the movie for me.

1. Inside Llewyn Davis

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Calling this movie a dark comedy would be an understatement, as it would be one of the most cynical movies I have seen if it wasn’t so damn funny. It is an interesting character study of Llewyn, a fledgling folk musician and a bit of a jerk, whose life starts out bad and gets progressively worse as the film goes on through a serious of misfortunes that befall Llewyn.  Despite its melancholy outlook, Inside Llewyn Davis offers a lot in terms of personality, style, and memorable moments and is my favorite film of 2013.

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Rampant Cinemania: World War Z

 

 

This Week: Gabriel Vogel, Joe Holley, Albert Cantu, and Andrew King

[audio https://simplyfilm.files.wordpress.com/2013/06/world-war-z1.mp3]

Show Notes:

Much Ado About Nothing: 0:25 – 5:20

Mars Attacks: 5:21 – 7:00

Close Encounters of the Third Kind: 7:00 – 8:01

Monsters University: 8:01 – 11:16

The Bling Ring: 11:18 – 15:39

Hara-Kiri: Death of a Samurai: 15:39 – 17:51

World War Z Review: 18:33 – 47:07

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Much Ado About Nothing Review

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Experience has taught us that pulling off contemporary Shakespeare adaptations are phenomenally hard to do as evidenced by the device opinions on both Baz Lurhman’s Romeo and Juliet and Ralph Fiennes’ Coriolanus. This week, Joss Whedon of Avengers fame steps up to the metaphorical plate as he tackles Shakespeare’s comedy Much Ado About Nothing.

Several things are remarkable about Much Ado About Nothing purely from a production standpoint. For instance, the film was shot entirely at Whedon’s personal estate in Santa Monica, California. Additionally, and due in part to the very intimate scale of the production, filming was completed in just under two weeks- a remarkable timeframe- during Whedon’s contractually obligatory vacation after post-production of The Avengers. 

The film is beautifully directed, and one can tell that Whedon approaches the story with incredible enthusiasm. As is the case with much of Shakespeare’s work, the tempo of the piece is hugely important. Whedon proves that he has a clear vision of not only what the piece is supposed to look like, but he also gives special attention to the rhythm and the beauty of the spoken word. His actors, for the most part, do a masterful job of giving special emphasis to the language of the piece and the many complex and sometimes subtle exchanges between characters.

Starring an ensemble cast and featuring the talents of Amy Acker, Alexis Denisof, Clark Gregg, Reed Diamond and Fran Kranz, the film is a beautiful looking, light-hearted comedy with a fanciful, pseudo-noir feel. The trifecta of Denisof, Gregg and Kranz steal every scene they’re in and bring a fundamentally human element to Shakespeare’s sometimes unintelligibly highbrow dialogue. Performances were generally exceptional all around and were only dimmed by the only slightly stilled portrayals of the antagonists, Don John and Borachio.

I’ve heard it said that the style of the film- black and white with some chic and jazzy aesthetics- did nothing to serve the narrative and ultimately detracted from the experience. My thoughts, however, are the opposite. To me, it seems as though Whedon’s choice of a monochromatic color scheme is intended to allow the audience to focus more on the language and dialogue of the piece, rather be distracted by the set dressing. Speaking from my own personal experience, Shakespearian dialogue is often devilishly hard to understand, especially when we’re being introduced to new characters. Another possible reason for the aesthetic choices are to establish a tone of semi-fantasy- almost to a degree of magical realism. If you’re unfamiliar with the plot of Much Ado About Nothing, you’ll find that some pretty incredible things end up happening- things that might make more sense within the context of a sort of fanciful, magical world. Therefore, I believe Whedon’s choice was not only innovative, but practical as well.

I understand that the prospect of sitting through a two hour, black and white production filled with Shakespearian dialogue may be off-putting for some viewers, but I assure you that your fears are unfounded. Whedon’s interpretation of this classic comedy is smart, fun, expertly paced, beautiful looking, brilliantly acted, and genuinely funny. Much Ado About Nothing has made it’s way, quite unexpectedly, to my top films of the year and fully deserves and resounding recommendation.

Rating 4.5 out of 5