Beat Breakdown #2: Nightcrawler

In this installment of the Beat Breakdown we’ll be taking a look at the 2014 neo-noir crime thriller Nightcrawler, written and directed by Dan Gilroy. The film was nominated for the Oscar for Best Original Screenplay at the 87th Academy Awards.

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To view a .pdf of the screenplay, click here.

PLOT SYNOPSIS

The story follows mysterious loner (and psycho) Lou Bloom as he skulks around Los Angeles in search of gainful employment. With the often reluctant help of world-weary station manager Nina, Lou begins skulking with a purpose as he embarks on an ignoble crusade to capture LA’s most shocking crimes on camera. Lou takes to his new position as a “nightcrawler” with admirable zeal, but is Lou driven by good old professional integrity, or perhaps something infinitely more sinister?

INCITING INCIDENT

(Pages 6-12) The film begins with a bit of exposition, introducing us to Jake Gyllenhaal’s Lou Bloom, our wiry-looking protagonist with a superficial smile and unnerving presence. As Lou cruises around LA one fateful evening, he happens upon a grizzly scene involving two police officers pulling an unconscious woman from a blazing car. As Lou gapes at the scene, spellbound by the flashing lights and shattered glass, a news van screeches to a halt, depositing a hassled cameraman who immediately begins filming the wreckage. Lou, still enraptured by the profane pageantry a day later, idly sits at home flipping through daytime news channels. Suddenly he stops, frozen, as a report of the wreck from the night before flashes across the screen. We can practically see the infernal cogs inside Lou’s head begin to turn, as the seed of turmoil takes root.

PLOT POINT ONE

(Pages 17-23) So the seed of turmoil has grown into a shrubbery of mischief as Lou acquires the camcorder and police scanner that are the staples of nightcrawling. Gardening metaphors aside, Lou’s luck eventually turns when he manages to get an unrestricted, close-up shot of a shooting victim, complete with graphic brain-chunks a reasonably-sized pool of blood. Naturally, this kind of footage is just what the KSML-TV News crew is looking for. In short order, Lou makes the acquaintance of the station manager, played by Rene Russo, who cuts him a check for his work. Rene encourages Lou to continue his nightcrawling, and offers him this piece of advice: “…to capture what we air, think of our newscast as a screaming woman running down the street with her throat cut.”

MIDPOINT

(Pages 46-49) To punctuate Lou’s meteoric rise in the world of nightcrawling, Nina when they meet for dinner at Cabanita—which has been called an authentic taste of Mexico City. Nina’s pretensions are shattered, however, when Lou reveals the sociopathic tendencies hiding behind his facade of wholesome professionalism. Lou effectively blackmails Nina into engaging in a romantic relationship, despite her protestations and, in the process, sheds more light on his motivations and goals. In Lou’s own words, he “wants to be the guy who owns the station that owns the camera.” All that’s left for the audience to do is wait for the volatile mixture of complete ethical bankruptcy and psychotic single-minded ambition to come to a head—in assuredly spectacular fashion.

PLOT POINT TWO

(Pages 60-70) It’s business as usual for Lou, who’s taken on a new employee in an effort to minimize his effectiveness while on the job. With Lou now firmly entrenched in the administrative culture of KSML, he’s got find a story worth reporting, lest he lose his position of power over Nina. While pursuing a possible story late one night, Lou picks up another conveniently located crime on the police scanner. Without a moment to lose, he hightails it to the scene, arrive even before the police. Abandoning even the pretense of journalistic integrity, Lou enters the scene to find a murdered family, quickly and efficiently recording the whole thing, naturally. Racing back to KSML to sell the story, Lou promises Nina that the story isn’t over, and that she can expect the follow-up to boost the tin-pot station’s ratings to unprecedented levels. Unbeknownst to Nina, Lou secretly captured the license plate of the perpetrator’s car, meaning that he alone knows where to find the suspects, and subsequently that he alone can break the story.

CRISIS AND CLIMAX

(Pages 81-97) Not twenty-four hours later, Lou has tracked down the suspects and, along with his employee, Rick, plan to tail them, only calling in the cops at the opportune moment. The suspects, a pair a burly gangsters, arrive at a busy restaurant—the perfect place to film their “dramatic” arrest. Rick, however, is given pause for thought as he considers how dangerous this operation might turn out to be. Undeterred, Lou proceeds to tip off the police, already in the prime position to capture the arrest on film. The police arrive shortly, and it’s immediately clear that the suspects have no intention of coming quietly. A thrilling, high-speed chase through the busy Los Angeles streets ensues, ending in the suspects’ car overturning. What follows is difficult to describe in a non-visual medium, but essentially, Lou notices that one of the suspects is still armed, despite his near-fatal crash, and motions for Rick to go over to him and start recording. The suspect, injured and with nothing left to loose, shoots and fatally wounds Rick and Lou captures his last moments on camera. With this, the audience realizes who and what Lou really is, and that there’s nothing he won’t sacrifice to achieve his ends.

DENOUEMENT

(Pages 98-108) Rick’s death serves as the emotional high-point of the film, and all subsequent action does little more than reinforce what the audience already knows about Lou. There’s a truncated police investigation surrounding the killings and the video “evidence” that Lou recorded at the scene, but since the police can’t prove anything, it’s little more than a formality. The film’s ending is appropriately nihilistic, but in a sort of knowing way, as if it’s simply the conformation of something we had known all a long. In the final scene, Lou stands before his new employees, imparting a few words of wisdom before they drive off, documenting and causing mayhem of their own, extensions of Lou himself, as if they were his own treacherous tendrils extending, groping blindly, searching, and gleefully seizing upon and exposing violence and discord in the dark Los Angles night. Lou leaves his new employees with this: “I can tell you from experience that the surest way up the ladder is to listen carefully and follow my orders. You may be confused at times, and other times unsure, but remember that I will never ask you to do anything that I wouldn’t do myself.”

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Netflix Movie of the Week #5: Brick

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Well, it’s that time of the week again, and if you’re in the mood to relax at home this weekend, why not take in one of my personal favorite movies? Brick, released in 2005, is billed as a neo-noir thriller and is directed by Rian Johnson, also responsible for Looper. Brick is unique in that it’s beautifully atmospheric direction and dark tone really serve to emphasize Johnson’s brutal depiction of day to day high school life.

Starring my one, true love Joseph Gordon-Levitt, Brick centers on the struggle of loner Brendan Frye as he seeks the truth behind the disappearance and consequent death of his ex-girlfriend. In his search for vengeance, Brendan becomes deeply embroiled in an underground narcotics operation as his quest takes him all the way to the top of the organization’s hierarchy and threatens to involve him an an all out gang war.

Brick is a beautiful film in terms of both visuals and narrative. Heavily influenced by noir films of a bygone era, the characters in Brick speak with a kind of shorthand slang (think a Shakespearean production of A Clockwork Orange) that is at once beautifully poetic and hauntingly brutal in its own right. JGL’s performance is outstanding as he portrays the pain of both the loss of his ex as well as the estrangement from larger society. Our sympathies can’t help but be stirred as Brendan refuses to give up his quest, even when his injuries make him essentially a mixture of powdered organs and thickened blood held together by sheer determination. Since it’s release, Brick has been hailed as a cult classic, and for good reason. Although the unique style and admittedly sometimes hard to follow dialogue may be off-putting for some viewers, the cinematic experience that you stand to gain in return is well worth it in the end.

Rating: 4.5 out of 5