Andrew’s Top Ten Movies of 2013

While at times I did feel like this was a weak year for movies, I found it surprisingly difficult to put this top ten list together, simply because there were so many films I wanted to include. After giving it some thought I was finally able to whittle my list down to ten, but for those of you interested in the movies that didn’t quite make the cut, here are the honorable mentions in no particular order: Stoker, Saving Mr. Banks, Mud, The Bling Ring, Captain Phillips, Kings of Summer, Blue is the Warmest Color and Nebraska.

10. The Wolverine

While this may seem like a somewhat weird way to start off the list, I actually enjoyed this movie immensely. For me, it satisfied everything I was looking for in a nice self-contained action/superhero movie. The Japanese setting actually added a lot of character to the movie, and the film still showed some restraint in not completely drowning the movie in typical Japanese action film clichés. While the climax is, admittedly, somewhat problematic, it was still satisfied with the film as a whole.

9. Much Ado About Nothing

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While this movie does suffer from being a bit too cutesy at times, but I can pretty safely say it is one of, if not the best Shakespeare film ever made. Joss Whedon’s sense of humor matches perfectly with the play, and he is able to make a Shakespeare movie which doesn’t feel forced or clichéd, and is genuinely funny, something that has been tried and failed more than a few times. It is easy to blow this film off as cute and inconsequential, which it is, but it has more than enough charm to earn a spot on the list.

8. Blackfish

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It is rare that I am blown away by a documentary, but I have to give credit to Blackfish for doing just that. While there has been some controversy surrounding this movie, as it clearly takes aim at the beloved and well established company Sea World in a way that does seem very biased, I think the evidence in the movie speaks for itself. More than a film about the mistreatment of Killer Whales kept in captivity, Blackfish is an interesting look at the danger these animals present to their trainers, and the extremely preventable deaths and injuries caused by the animals that until now have been ignored by the public. It is powerful, and sometimes hard to watch, but is a documentary I feel like everyone should see.

7. Rush

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The only reason this movie didn’t end up higher on my list is that nothing about it was particularly unique or interesting. However, giving credit where credit is due, Rush is still a fantastic film.  It captures an intimate conflict between two larger than life figures risking their lives to claim superiority in a way that felt genuine and believable. Rush is an airtight movie, expertly handling climactic beats throughout the film and ending up as perhaps one of the most well rounded films of the year.

6. The Way Way Back

I am usually not one for feel good movies, but I have to say I was quite taken with The Way Way Back. It has a great cast and is a genuinely sweet and funny coming of age story. It is nice to see Steve Carell out of his comfort zone, playing the antagonistic boyfriend of the protagonist’s mother; however the real stand out for me was Sam Rockwell who once again proves he is a force to be reckoned with as a top comedic actor. Written and directed by Nat Faxon and Jim Rash, the Oscar winning duo behind the script for The Descendants, this film was definitely a stand out in a year saturated with coming of age films.

5. American Hustle

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While in a lot of ways I felt like this should be my number one movie this year, there were a few glaring details that kept it lower. The way the film was put together felt awkward in a few places, and some of the scenes in the movie just didn’t seem to work well within the film as a whole, not to mention the ending which I thought was a little weak and very rushed. That being said, the performances in this movie are easily some of the best of the year. With an actor nominated in each of the four major acting categories for the Golden Globes, and likely for the Oscars when those nominations are released, American Hustle definitely has a lot to bring to the table. It’s stylish and fun, but it’s the characters and their relationships that really solidify this movie as one of the best of the year.

4. Wolf of Wall Street

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A manic story of riches, corporate corruption, and missed chances for redemption, Wolf of Wall Street manages to be far from the typical cautionary tale about wealth. It is raunchy, perverse, even sickening at times, but boy is it a fun movie to watch. Leonardo DiCaprio is fantastic as Jordan Belfort, a man on a drug fueled rampage up the corporate Wall Street ladder. The film has a great sense of humor, and is one of the best “truth is stranger than fiction” movies I have seen in a long time. It’s an unbelievable story, and even manages to keep the viewer engaged throughout the monstrous 3 hour run time.

3. 12 Years a Slave

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My bet for Best Picture this year, 12 Years a Slave is nothing short of an incredible movie. What really makes this movie stand out is that it’s not just the movie about the horrors of slavery that seems to get made every few years, but also an incredible character driven story. All of the acting in the film is fantastic, the conflict between Michael Fassbender and Chiwetel Ejiofer was extremely tense, and every single character in the film was well fleshed out and distinct, which is a nice change from the typical flat slave owner characters in similar movies. Expertly directed by Steve McQueen, I look forward to seeing his work in the future now that he is gaining mainstream recognition and success.

2. Place Beyond the Pines

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I knew this movie would end up high on my top ten list immediately after I walked out of the theater. Place Beyond the Pine comes in a close second for my favorite films this year, as I loved nearly everything about this movie. The setting, powerful performances and distinct three part narrative gives a profound amount of weight and importance to an intimate tale about family, father-son relationships, and consequences. The movie shifts effortlessly between protagonists and still manages to make the viewer care about all of them, as the film almost feels like three shorter films tied together by themes and shared characters. The third act of this film received some criticism as it is a bit bizarre, but I thought it fit perfectly and Dane DeHaan’s performance is in many ways what made the movie for me.

1. Inside Llewyn Davis

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Calling this movie a dark comedy would be an understatement, as it would be one of the most cynical movies I have seen if it wasn’t so damn funny. It is an interesting character study of Llewyn, a fledgling folk musician and a bit of a jerk, whose life starts out bad and gets progressively worse as the film goes on through a serious of misfortunes that befall Llewyn.  Despite its melancholy outlook, Inside Llewyn Davis offers a lot in terms of personality, style, and memorable moments and is my favorite film of 2013.

As of Yet Unnamed Simply Film Podcast: The Place Beyond the Pines


 
This Week: Gabriel Vogel, Joe Holley, Albert Cantu, and Andrew King

Show Notes:

What We’ve Been Watching: 0:00 – 23:15

The Place Beyond the Pines Review: 23:16- 45:44

The Place Beyond the Pines Review

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Returning to the director’s chair after his hit indie film Blue Valentine, with The Place Beyond the Pines Derek Cianfrance proves that he can be considered a truly great, new director. A sprawling two and half hour long epic, The Place Beyond the Pines is a story in three parts that delves into themes of morality, determinism, and closely examines the effects fathers have on their children, and visa-versa. This film is an emotional powerhouse, with a fantastic performance from Ryan Gosling, as well as strong performances all around. Expecting to dislike this movie, I was absolutely blown away by the film.

The film takes place in the small New York town of Schenectady, which interestingly enough is a name loosely taking from a Mohawk word that translates to “Place Beyond the Pines.” The movie first centers on Ryan Gosling as “Handsome” Luke Glanton, a professional and heavily tattooed motorcycle rider who goes city to city with a traveling carnival. However he gives this life up when he is informed that a woman he has slept with in Schenectady is raising his now one year old son. Luke turns to a life of crime and starts robbing banks in order to provide for his newly born son. Bradley Cooper’s character Avery, a police man and moral paragon, is then introduced and the film shifts its focus to a tale of police corruption and Avery’s struggle with it. Finally, the third and most interesting act of the film is about the friendship and conflict between the sons of the earlier protagonists, as they struggle with their respective relationships with their fathers, as well as dealing with the history between Luke and Avery.

While much of the talk about this film has been glowing praise for Ryan Gosling (let’s be honest here, this is nothing new, he’s great), the acting all around is pretty excellent. Specifically, Eva Mendes’s portrayal of Luke Glanton’s poverty stricken baby mama is a step away from her usual roles, as well as a highlight of the film. However, some of the best acting in the film comes from Dane DeHaan, who is likely best known as the lead in last year’s found footage superhero flick, Chronicle. As Luke’s 17 year old son, DeHaan is tragic and compelling, bringing a much needed emotional center to the latter half of the film.

What makes this film achieve a level of excellence, however, is not the acting but rather the thematic through lines of the film. The film is ambitious in its approach to tackling issues of paternal relationships, as well as morality, which raises an interesting conversation about how morality relates to cultural standards and laws. At the same time, the film does a perfect job of not overextending thematically, by which I mean the film doesn’t try to tackle anything that was too lofty to wrap up by the end. This movie leaves the viewer with a desire to ponder the films themes, without leaving any serious unanswered questions. It’s a hugely emotional film, as well as a film with just the perfect amount of depth. I could not recommend this film more highly.

Rating: 5 out of 5